New York Dialects Final Dress Rehearsal | Monday 5 April | Cast List
Amber Scott Ako Kondo Nicola Curry
Ty King-Wall Jarryd Madden
Yuumi Yamada Corey Herbert Imogen Chapman Jill Ogai
Artists of The Australian Ballet
THE FOUR TEMPERAMENTS
Jacqueline Clark and Luke Marchant
Ingrid Gow and Joseph Romancewicz
Robyn Hendricks and Adam Bull
First Variation: Melancholic
Yuumi Yamada Aya Watanabe
Jasmin Durham Lisa Craig Sophie Morgan Evie Ferris
Second Variation: Sanguinic
Benedicte Bemet and Brett Chynoweth
Lilla Harvery Lilly Maskery Karina Arimura Montana Rubin
Third Variation: Phlegmatic
Larissa Kiyoto-Ward Belle Urwin Katherine Sonnekus Sara Andrlon
Fourth Variation: Choleric
With artists of The Australian Ballet
New York Dialects
The final dress rehearsal for New York Dialects, The Australian Ballet’s return to the stage in 2021.
This triple bill is David Hallberg’s first program as Artistic Director and features two revered classics from George Balanchine, the great game-changer of ballet, with a brand-new creation from a 21st-century innovator.
Balanchine’s deeply rooted knowledge of Russian classicism grounded his inspired deviations from it, which galvanised modern dance. Serenade, considered one of the greatest works of the 20th century, was the first work he made on American dancers. The poetry of women in long ice-blue tutus moving in unison to Tchaikovsky’s Serenade for Strings in C has a simplicity and purity still breathtaking today.
The Four Temperaments
If Serenade is Balanchine at his most lyrical, The Four Temperaments is the epitome of his stark neo-classical style: dancers in black and white leotards and tights performing stripped-back ballet steps skewed in unexpected directions. The score, which Balanchine commissioned from Paul Hindemith, was inspired by the medieval notion that four ‘humours’ govern personality type; it is both sparse and luscious as it explores each of those temperaments.
Pam Tanowitz, from a contemporary dance background, has created work for major ballet companies, including New York City Ballet and The Royal Ballet, as well as for the hallowed modern-dance companies of Martha Graham and Paul Taylor. She will bring her vision for ensemble choreography and her fresh approach to gender roles to a work using the male dancers of The Australian Ballet. The Pulitzer-prize winning composer Caroline Shaw will extend her concerto Watermark as a partner to Tanowitz’s exciting creative vision.
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