Andrew Killian and Kevin Jackson, two of The Australian Ballet’s much-loved Principal Artists have announced they will be leaving the Company.
Joining The Company in 2000, Andrew was made a Principal Artist in 2011. Across his eclectic career he has danced lead roles in countless ballets, including Manon, Nijinsky, Sir Peter Wright’s The Nutcracker, both Stephen Baynes and Graeme Murphy’s Swan Lake, and Murphy’s Romeo & Juliet. Andrew was also involved in the creation of many new works including Baynes’ Constant Variants and Tim Harbour’s Wa and has performed in the majority of The Australian Ballet’s Bodytorque seasons. Andrew has toured with The Australian Ballet to Auckland, Tokyo, Shanghai, New York, Los Angeles, London and Paris.
‘I have known Andy personally since I first came to Melbourne in 2010 and have always admired his ease of dancing and approach to work. Nothing was ever too much to take on. A consummate team player, one committed to the glory and uniqueness of this company, Andy has always been ‘one’ with his colleagues. I know he will be missed within the ranks‘
– David Hallberg
Kevin joined slightly after Andrew in 2003 and was promoted to Principal Artist in 2020. In his time with the Company, he has performed lead roles in classical and contemporary works by choreographers including John Neumeier, Alexei Ratmansky, Wayne McGregor, Jiří Kylián and Graeme Murphy. He was chosen to create the lead male roles in David McAllister’s The Sleeping Beauty and Lucas Jervies’ Spartacus. Outside of The Australian Ballet, Kevin has accepted invitations to guest with some of the world’s other leading companies, such as American Ballet Theatre and The Royal Ballet.
‘Kevin is a soulfully deep artist; one that touched his audiences and colleagues with intense interpretations of the vast array of repertoire that The Australian Ballet offered him. . .Kevin immersed himself in the complex roles, going to an artistic place that required every bit of him. He spared nothing. He gave everything. This is the true sign of an artist; the devotional commitment to any role. Behind the scenes, he was as warm a colleague as any: devoted on stage, but human off it’
– David Hallberg