Hosted by Friends Deputy Chair on stage at The Concourse
Chris Yates, Director of Production and Planning with The Australian Ballet, joined FAB Deputy Chair Bruce Pollack on stage at The Concourse. With more than 30 years in the performing arts industry, Chris’ career has encompassed all facets of production within the performing arts. Passionate about all the production, technical and creative joys of the arts, Chris’ extensive experience and insight is a delight.
The Friends joined Kim Carpenter in his studio to learn more about how he became involved in production design, discuss his love for Oscar Wilde’s love story, and take a look at the paintings he has made during lockdown that will be shown as part of his upcoming exhibition, The Happy Prince.
“It has been a joy to harness all my visual references from Wilde’s book and the process of creating and designing the ballet in order to reinvent them so as to tell the story in a purely visual form to be experienced in an art gallery. So the lockdown has allowed me an absorbing, driven creative period.”
– Kim Carpenter
Kim is exhibiting The Happy Prince from 13 to 25 October at ARO Gallery in Sydney.
Acclaimed theatre devisor/director/designer Kim Carpenter AM will exhibit 26 major artworks in response to Oscar Wilde’s The Happy Prince – the classic story of The Prince and The Little Swallow.
Carpenter recently adapted The Happy Prince for The Australian Ballet in collaboration with renowned choreographer Graeme Murphy. He also designed the sets and costumes. The production opened at The Queensland Performing Arts Centre on 25th of February. Sadly, due to the COVID-19 pandemic The Australian Ballet cancelled the August season at The Arts Centre, Melbourne and the November-December season at The Sydney Opera House.
Wilde’s immortal tale of love and sacrifice, tenderness and joy – combined with the creative journey of making a new full-length ballet with collaborators – choreographer, Graeme Murphy, and composer Christopher Gordon – fuelled Carpenter’s inspiration to create a suite of exquisite paintings.
Carpenter’s images are imaginative and whimsical, playful and atmospheric. They reflect Wilde’s wit, poetry and social commentary. The Happy Prince’s observations of struggle and survival, the disparity between the rich and the poor, are equally relevant today. The COVID-19 pandemic has highlighted the divisions in society that Wilde wrote about in his story in 1888.
The Happy Prince
Tue 13 to Sun 25 October
11am – 6pm
51 William St, Sydney
Join David McAllister for a very special virtual conversation celebrating The Australian Ballet’s Don Quixote choreographed by Rudolph Nureyev.
In an online event curated especially for our philanthropic community, you will be treated to a live in-conversation between The Australian Ballet’s Artistic Director David McAllister and Marilyn Rowe who performed the roles of the Street Dancer and the Queen of the Dryads in the 1973 film also starring Rudolph Nureyev and Robert Helpmann.
Hosted by Friends Deputy Chair Bruce Pollack in conversation with Leo Schofield AM
Twenty years ago this month, Australia welcomed the world to Sydney. Leo Schofield was the Artistic Director of the 2000 Sydney Olympic and the 2000 Summer Paralympics arts festivals. He has enjoyed a long and distinguished career as a journalist, critic, creative arts festival director, and trustee of countless arts and cultural organisations.
Join The Friends for a warm convivial online conversation with Leo Schofield as we explore his passion for the performing arts, involvement with the Paris Opera Ballet and revisit fond and funny Olympic moments from Sydney 2000.
Friends of The Australian Ballet Chair Greg Khoury and Friends sub-committee member, dancer and remedial therapist Gayle Wakeling-Taylor will explore some of the ideas recently shared by The Australian Ballet and La Trobe University into joint management and treatment.