As a member of our ballet family, you’re invited to join Artistic Director David Hallberg online as he introduces The Australian Ballet’s 2022 Season.
David will be joined by some of the most acclaimed international choreographers in the dance world today to talk about new works, followed by an in-depth discussion with Principal Artist Dimity Azoury and Senior Artist Callum Linnane.
Discover the 2022 Season in this must-see free event. Simply click the link below on Tuesday 26 October to watch the announcement.
5PM TUESDAY 26 OCTOBER
Created specifically for the Paris Opera Ballet in 1994 by choreographer Angelin Preljocal, there are countless reasons why Le Parc has become a timeless classic.
When desire is part of the game, the carte du Tendre is also a card to play. Love at first sight and gambles come together in the groves of Le Parc. Marivaux like, Preljocaj’s choreography – created in 1994 for the Paris Opera Ballet – reshuffles the cards for the game of love and chance.
Female desire (Così fan tutte), debauchery (Don Giovanni) and true love (Die Zauberflöte): Mozart’s scores form the soundtrack for the century of Laclos, Sade, Crébillon and Vivant Denon. In Le Parc, Mozart is Preljocaj’s musical accomplice: concertos, quartets and symphonies give rhythm to a work that gives form to the desires of the heart and mind.
Be it the gardens of the carte du Tendre – the landscape of love charted out by Madame de Scudéry or the royal alleys at Versailles where Le Nôtre created the ideal backdrop for all things playful, the garden is above all a secret one when it comes to love.
“Divertimento”, “A Musical Joke”, “Serenade”, “A little Night Music”: the pages from Mozart selected by Angelin Preljocaj evoke hours of the day and night – moments in a sophisticated art of loving. Music and dance echo one another: in a conversation transposed into sound, a quartet of gardeners reply to a string quartet. Set to an electronic score by Goran Vejvoda, these little cupids guide the dancers along in a timeless game.
The society of the age of Enlightenment has given way to an entertainment based one: “The world parades and surges across the small screen”, says Preljocaj, “and we remain transfixed”. And yet, as the French writer Philippe Sollers says, the 18th century was a “forward” one. With Le Parc, the choreographer draws on the source of French libertinage. Dance finds new momentum that brings into perspective the games of seduction of our times.
“A masterpiece. There are dances that entertain us, and then there are a few that have the power to truly move us.” Alexandra Desvignes, BACHTRACK
Join ballet aficionado Leo Schofield for a pre-screening presentation of Le Parc on 18 July at Palace Cinemas Verona to hear why Leo thinks Le Parc is a masterpiece of dance.
Tickets on sale now
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Image courtesy Paris Opera Ballet
2021 SEASON LAUNCH | A SPECIAL INVITATION FROM DAVID HALLBERG
To thank you for your incredible FAB support this year, we’re pleased to invite you to attend an exclusive live online event, as we celebrate the start of an exciting new era for ballet in Australia.
Be one of the first to hear about David Hallberg’s dazzling first season as Artistic Director. Join David is Executive Director Libby Christie and outgoing Artistic Director David McAllister with some very special guests for an in-depth briefing on The Australian Ballet’s 2021 Season.
6pm Tuesday 1 December
RSVP by Thursday 26 November
Event access details will be provided closer to the event.