by FAB Admin | Dec 3, 2021 | Australian Ballet, Latest News, Upcoming Event News
Evangeline Beal-Attwood
Evangeline Beal-Atwood was born and raised in Newcastle NSW and is one of four children.
She started dancing at the age of two at a small local school called Action Dancers. At the age of five,
Evangeline moved to The Marie Walton Mahon Dance Academy which is now The National College of Dance
in Lambton NSW. It was there that her love for the art form deepened.
At the age of 11, Evangeline was certain ballet was something more than just an afterschool hobby. At the
age of 14 she began training part time, which meant three full days of dancing and two days of academic
studies via correspondence. In that year, she achieved her Certificate III in Dance.
Evangeline’s schedule intensified the following year as her dreams and aspirations for ballet grew. At the age
of 15 Evangeline transitioned into a full time program, dancing six days per week, and successfully attained
her Certificate IV in Dance.
Evangeline’s passion for dance motivated her, at the age of 16, to leave her family and fly to Europe to take
up an offer to train at a vocational ballet school in Germany. This experience–both daunting and exciting–
turned out to be not quite what she’d expected, so Evangeline flew to London to audition for the English
National Ballet School. She successfully gained a place in the full time student program. After just six weeks, a
complication with her visa meant that she had to temporarily leave the UK. Evangeline flew home to her
family in Australia. As the COVID-19 situation worsened in the UK, Evangeline and her family made the
decision to pursue training closer to home and gladly accepted a position at The Australian Ballet School.
Evangeline commend training at The Australian Ballet School at Level 7 in 2021.
Evangeline said “Finding a ballet school which offered me world class training whilst also supporting my
mental and physical health wasn’t as easy as I had hoped. However, within the first few weeks of being at The
Australian Ballet School I knew that this was the right place for me. I will forever be thankful that I made the
decision to trust fate led me to this opportunity. My first year at The Australian Ballet School has honestly
been one of the greatest years of my life. I’m sure this was meant to be an important part of my dance
journey. The School and its people have been incredible. From the amazing teaching and facilities, to the
exceptional healthcare, The Australian Ballet School has it all and I genuinely can’t imagine myself anywhere
else. It has truly been one of the most monumental decisions of my life. I’m so grateful to be a student at this
extraordinary school.”
Training Achievements
• 2021 – Commenced training at The Australian Ballet School (Level 7)
• 2020 – Bloch Artiste
• 2020 – Accepted position at Staatiliche Ballettschule Berlin, then moved to English National Ballet School
• 2020 – Offered a position at European School of Ballet
• 2020 – Offered scholarship to Ecole Supérieure de Danse de Cannes Rosella Hightower
• 2020 – Offered a position at Elmhurst Ballet School
• 2019 – NSW RAD Bursary Winner
• 2019 – Semi-finalist at Alana Haines Australasian Awards Wellington, New Zealand and awarded a
scholarship to attend the Royal Danish Ballet Summer school Copenhagen, Denmark
• 2019 – Finalist at Isobel Anderson Awards RAD
• 2018 – Finalist at The Australian Ballet Scholarship Awards
by FAB Admin | Oct 16, 2021 | Australian Ballet, Latest News, Upcoming Event News
As a member of our ballet family, you’re invited to join Artistic Director David Hallberg online as he introduces The Australian Ballet’s 2022 Season.
David will be joined by some of the most acclaimed international choreographers in the dance world today to talk about new works, followed by an in-depth discussion with Principal Artist Dimity Azoury and Senior Artist Callum Linnane.
Discover the 2022 Season in this must-see free event. Simply click the link below on Tuesday 26 October to watch the announcement.
5PM TUESDAY 26 OCTOBER
by FAB Admin | Jun 15, 2021 | FAB Events, Latest News, Upcoming Event News
Created specifically for the Paris Opera Ballet in 1994 by choreographer Angelin Preljocal, there are countless reasons why Le Parc has become a timeless classic.
CARDS
When desire is part of the game, the carte du Tendre is also a card to play. Love at first sight and gambles come together in the groves of Le Parc. Marivaux like, Preljocaj’s choreography – created in 1994 for the Paris Opera Ballet – reshuffles the cards for the game of love and chance.
MOZART
Female desire (Così fan tutte), debauchery (Don Giovanni) and true love (Die Zauberflöte): Mozart’s scores form the soundtrack for the century of Laclos, Sade, Crébillon and Vivant Denon. In Le Parc, Mozart is Preljocaj’s musical accomplice: concertos, quartets and symphonies give rhythm to a work that gives form to the desires of the heart and mind.
GARDENS
Be it the gardens of the carte du Tendre – the landscape of love charted out by Madame de Scudéry or the royal alleys at Versailles where Le Nôtre created the ideal backdrop for all things playful, the garden is above all a secret one when it comes to love.
QUARTET
“Divertimento”, “A Musical Joke”, “Serenade”, “A little Night Music”: the pages from Mozart selected by Angelin Preljocaj evoke hours of the day and night – moments in a sophisticated art of loving. Music and dance echo one another: in a conversation transposed into sound, a quartet of gardeners reply to a string quartet. Set to an electronic score by Goran Vejvoda, these little cupids guide the dancers along in a timeless game.
ERA
The society of the age of Enlightenment has given way to an entertainment based one: “The world parades and surges across the small screen”, says Preljocaj, “and we remain transfixed”. And yet, as the French writer Philippe Sollers says, the 18th century was a “forward” one. With Le Parc, the choreographer draws on the source of French libertinage. Dance finds new momentum that brings into perspective the games of seduction of our times.
“A masterpiece. There are dances that entertain us, and then there are a few that have the power to truly move us.” Alexandra Desvignes, BACHTRACK
Join ballet aficionado Leo Schofield for a pre-screening presentation of Le Parc on 18 July at Palace Cinemas Verona to hear why Leo thinks Le Parc is a masterpiece of dance.
Tickets on sale now
BOOK TICKETS NOW
Image courtesy Paris Opera Ballet
by FAB Admin | Feb 11, 2021 | Australian Ballet, Latest News, Upcoming Event News
Take your virtual seat at the Ballet
Can’t attend the next Ballet? In a different city? Ballet fans across the world can now get virtual front-row seats to the live-streamed performances by The Australian Ballet.
We are thrilled to share that The Australian Ballet has launched, Live on Ballet TV, an exciting new way to experience The Australian Ballet from anywhere around the world!
The first live-streamed performance to be hitting our screens is Summertime at the Ballet at MCA, Melbourne Park.
For the special price of $25, Summertime at the Ballet can be watched LIVE on Sunday 28 February at 11.45am AEDT or at your convenience over the following 48 hours.
This special virtual performance includes exclusive bonus commentary from our very own David Hallberg, plus live interviews and behind the scenes footage you can view via any device or cast to your smart TV.
Buy a ticket for yourself or gift a ticket to someone you know would enjoy the show! You’ll receive a link to watch Summertime at the Ballet on Live on Ballet TV.
Grab your popcorn, cast the performance to your Smart TV and settle in for an afternoon at the ballet from the comfort of your home.
The Australian Ballet’s joyful return to the stage!
The beauty and versatility of The Ballet’s dancers will shine in a selection of excerpts from ballet’s most celebrated classic, alongside the Company’s latest contemporary works and signature repertoire.
Summertime at the Ballet will honour The Australian Ballet’s history, while embracing the future and reveling in the pure love of dance.
David Hallberg’s insight
“In my first program as artistic director, I am showcasing the talent of the entire company. With fresh inspiration, the dancers step back on the stage in repertoire that exemplifies their versatility as both technicians and artists. These modern and classical ballets are their lifeblood and exactly why they live for the stage and the expression of performance.”
The Summertime at the Ballet program will include:
The Kingdom of the Shades from La Bayadère
Choreography Marius Petipa
Music Ludwig Minkus, arranged by John Lanchbery
Pas de deux from Molto Vivace
Choreography Stephen Baynes
Music George Frederic Handel
Act III Pas de deux from Don Quixote
Choreography Rudolf Nureyev
Music Ludwig Minkus
arranged by John Lanchbery
Excerpts from Act I of Spartacus
Choreography Lucas Jervies
Music Arum Khachaturian
Trio from Filigree and Shadow
Choreography Tim Harbour
Music 48nord
Largo from Xerxes
Tschaikovsky Pas de Deux
Choreography George Balanchine
©The George Balanchine Trust
Music Piotr Illyich Tchaikovsky, excerpt from Swan Lake, Op. 20, Act III
Waltz from The Merry Widow
Choreography Ronald Hynd
Music Franz Lehár, arranged by John Lanchbery
Pas de deux and finale from Theme and Variations
Choreography George Balanchine
©The George Balanchine Trust
Music Piotr Ilyich Tchaikovsky, excerpt from Orchestral Suite No.3 in G, Op.55
by FAB Admin | Nov 16, 2020 | FAB Events, Upcoming Event News
2021 SEASON LAUNCH | A SPECIAL INVITATION FROM DAVID HALLBERG
To thank you for your incredible FAB support this year, we’re pleased to invite you to attend an exclusive live online event, as we celebrate the start of an exciting new era for ballet in Australia.
Be one of the first to hear about David Hallberg’s dazzling first season as Artistic Director. Join David is Executive Director Libby Christie and outgoing Artistic Director David McAllister with some very special guests for an in-depth briefing on The Australian Ballet’s 2021 Season.
6pm Tuesday 1 December
RSVP by Thursday 26 November
Event access details will be provided closer to the event.
