Need more ballet?

ABC TV now has a stunning selection of The Australian Ballet’s favourite performances available to stream free on iview for a limited time.

The Merry Widow

The Merry Widow is a lively tale of love, money and class, played out against the glitter and opulence of the Belle Epoque. View here





 Set in Roman times, this production by Lucas Jervies follows the exploits of Spartacus, the rebellious leader of a major slave uprising against the Roman Republic. View here



Warumuk – in the dark night

A collaboration between Bangarra Dance Theatre and The Australian Ballet, Warumuk – in the dark night takes its inspiration from traditional Aboriginal stories. View here





A sparkling tale of magic and mischief, Coppélia has everything a good story ballet should: enchantment, romance and sumptuous costumes. View here





Alexei Ratmansky’s Cinderella has all the elements of the story we love – a feisty heroine, a dashing prince, a kindly godmother and a wicked stepmother. View here



Sleeping Beauty

With lavish sets and costumes, this David McAllister ballet casts a spell of delight all the way to true love’s kiss. View here




Dyad 1929

Wayne McGregor’s Dyad 1929 tests the limits of classical movement in a laboratory-white set, and features an electrifying score by Steve Reich. View here




Choreography by Marius Petipa, Paquita is full of spectacular turns, extravagant tutus, exuberant leaps and delicate footwork. View here




Romeo & Juliet

Graeme Murphy’s Romeo & Juliet captures the implacable hate of rival families, the joy and tenderness of first love and the poignancy of its end. View here






La Sylphide

La Sylphide is a ballet that tells the tale of a Scottish dreamer who is fascinated by a woodland sprite and spurns his fiancée to follow her. View here

Vale Jane Douglass AM

Jane Douglass AM, a great advocate for the performing arts, passed away on Monday 19 July. Some members may remember Jane for her role in organising the 2009 premiere of Mao’s Last Dancer in Sydney for The Friends.

Greg Khoury, FAB Chair, has shared a touching tribute to Jane.

From Greg Khoury

It is with much sadness that I advise that Jane Douglass AM died peacefully in Sydney surrounded by her family.

Some of you will remember Jane and her husband Gordon.

Jane and Gordon were great advocates of the live arts, dance and ballet in particular. Jane and Gordon were instrumental in the production of the film of Don Quixote in July 1973, considered to this day to be the best film of a ballet ever. The world premiere was also the first event in the Sydney Opera House and the first official event of the Friends of The Australian Ballet (NSW).

In 2009, I had the great pleasure of working alongside Jane Douglass when at Kenneth’s invitation she agreed to take up the Chair of Mao’s Last Dancer Gala Committee with other stalwart supporters including Vicki Jones and Ros Packer.  The Premiere at the State Theatre and Gala Reception at the Swissotel raised more money in one night than we had raised in 4 years and was hugely enjoyed and a great profile builder which showed how well FAB could drive a major event with the right people at the fore.

Personally, I had great satisfaction in working with Jane Douglass and her circle of indefatigable, uncompromising women, each of whom brough their own flair, style and elan, expertise and humour to the table. I have several wonderful stories!! Jane became affectionally known as “Chairman Mao”!

Jane was known for her determination, stoicism and conviction all underpinned by her love of the Ballet and the Company. She was a generous supporter at all levels. She was a force of nature and I admired and respected her, and enjoyed a continuing friendship with her ever since. Her daughter Sybella has taken on the mantle of her mother and father and is a lover and supporter of the Company alongside her own charities for women that she supports.

We extend to Sybella, her brother Hamish and Jane’s entire family our condolences. We have lost an extraordinary woman with a grand, independent spirit who also had an immediacy and naturalness that I and all her knew Jane, shall miss.

Butterfly comes to Sydney

Butterfly comes to Sydney

The Australian Ballet School will soon be returning to Sydney to present Butterfly, their first new production in 18 years.

A modern fairy tale told through movement, Butterfly will feature 100 full-time students of The Australian Ballet School, showcasing the next generation of emerging Australian dance artists.

Choreographed by former graduate Lucas Jervies and created in the studios of The Australian Ballet School, Butterfly beautifully blends themes of realism and magic with classic and contemporary techniques. Designed to appeal to all ages, the original production will be brought to life by the extraordinary artistry of pre-professional dancers and will transport audiences to another world through the transformative sets and costumes by revered designer Hugh Colman.

Set to the joyous score Le Papillon (The Butterfly) by Jacques Offenbach, Butterfly is a tale that follows a young boy who vies for the attention of the smartest girl in school. On an excursion to the butterfly enclosure at the Zoo, they immerse themselves in the kingdom of butterflies, momentarily forgetting the world outside and embarking on a magical journey.

Butterfly will take flight at The Concourse in Chatswood for three performances on 2 – 3 July and we are thrilled to be presenting opportunities for members to engage with creatives from the School.

Pre-Performance Drinks with Lucas Jervies 
12.15pm Saturday 3 July | The Concourse Theatre

Join us for pre-performance drinks in The Concourse Theatre Foyer. Catch up with other members over a glass of bubbles and chat with Lucas Jervies about the process of creating Butterfly for the ABS before watching the matinee performance.



Members Only – Chairman’s Dinner with Lisa Pavane, Lucas Jervies, Hugh Colman
6pm Tuesday 29 June | The Concourse + Mama Mulan

Watch half an hour of student from the ABS rehearse on stage at The Concourse before joining us for an intimate dinner hosted by Friends Chairperson Greg Khoury. While enjoying a delicious Chinese banquet in a private dining room at Mama Mulan, Greg will lead discussion with Lisa, Lucas and Hugh.


Tickets for other Sydney performances are on sale now and can be purchased via Ticketek.

Live on Ballet TV | Digital Season

Live on Ballet TV | Digital Season


Can’t attend the next Ballet? In a different city? Ballet fans across the world can now get virtual front-row seats to the live-streamed performances by The Australian Ballet.

After the successful launch of Live on Ballet TV earlier in the year during Summertime at the Ballet, The Australian Ballet have just announced David Hallberg’s inaugural season will be available to stream and share across the globe.

Over the coming months, see the live-streamed performances of New York Dialects, Anna Karenina, Romeo and Juliet and Harlequinade from the comfort of your own home and enjoy bonus commentary from David Hallberg, plus live interviews and behind the scenes footage.

Tickets to individual ballets are just $25 each, or for even better value buy a season package of all four ballets for only $80. 


New York Dialects | 11 June


New York Dialects unveils a new work by the American contemporary choreographer Pam Tanowitz – alongside two acclaimed masterworks, Serenade and The Four Temperaments, from George Balanchine.

Watch in real time at 7.15pm AEST Friday 11 June, or at your convenience until 5.30pm AEST Sunday 13 June. 


Anna Karenina | 24 June

Leo Tolstoy’s immortal novel comes to life in this epic ballet of cinematic proportions. Heartbreak, tragedy, love, lust and betrayal are all at the centre of Anna Karenina’s undoing.

Watch in real time at 7.15pm AEST Thursday 24 June, or at your convenience until 5.30pm AEST Saturday 26 June. 


Romeo and Juliet | 2 September


Experience the timeless and heart breaking classic Romeo and Juliet. John Cranko’s epic version of Shakespeare’s most heart-rending love story reaches new heights under Artistic Director, David Hallberg.

Watch in real time at 7.15pm AEST Thursday 2 September, or at your convenience until 5.30pm AEST Saturday 4 September.

Harlequinade | 16 September

Created over a century ago but lost to history, Harlequinade is a long-lost comedy from the creator of Swan Lake. Bursting with colour, madcap characters and hilarious hijinks, Alexei Ratmansky’s staging of Marius Petipa’s Harlequinade is the perfect family treat.

Watch in real time at 7.15pm AEST Thursday 16 September, or at your convenience until 5.30pm AEST Saturday 18 September.

Australian Ballet Company Promotions

Australian Ballet Company Promotions

There were many gifts given on David Hallberg’s birthday, seven of which were promotions that Hallberg himself gifted to dancers at an all-company meeting. Yuumi Yamada, Lisa Craig, Lucien Xu, Isobelle Dashwood, Jacqueline Clark, Riley Lapham, and Callum Linnane were all promoted.

Hallberg said, “Each promotion is the recognition of their individual focus and fortitude in their careers as professional dancers and equally, their contributions to the healthy culture of the company. Their talent exemplifies all aspects of the artistic vision I have for the company, and I look forward to seeing them all flourish in their new roles with vigour and confidence in their abilities.”

Congratulations to these artists!


Jacqueline Clark

Jacqueline was born in Sydney and began dancing at the age of five. She studied with Sydney Festival Ballet and SCEGGS Redlands before finishing her studies at The Royal Ballet School in London. In 2006 she joined Ballet Ireland; in 2009 she joined The Royal Ballet. She joined The Australian Ballet in 2015.

During the recent Sydney season of New York Dialects, Jacqueline danced the First Theme in George Balanchine’s The Four Temperaments. 

Lisa Craig

Lisa was born in Dunedin, New Zealand, and started ballet classes at the age of four. She studied under Caroline Claver before joining The Australian Ballet School, where she was chosen for an exchange program with Canada’s National Ballet School and the School of American Ballet. She toured in Don Quixote with The Dancers Company in 2011 and 2012 before joining The Australian Ballet in 2013.

Isobelle Dashwood

Isobelle was born and raised in Toowoomba, Queensland. She began dancing at the age of six and trained in Queensland before winning the Robert and Elizabeth Albert Scholarship and a full scholarship to study at The Australian Ballet school; she began her studies in 2013. During her time at the school she participated in a month-long exchange with Canada’s National Ballet School and received an award for excellence in both classical and character dance. Isobelle joined The Australian Ballet in 2016.

During the recent Sydney season of New York Dialects, Isobelle danced Choleric in George Balanchine’s The Four Temperaments. She was also a Telstra Ballet Dancer Award nominee in 2019 and 2017.

Riley Lapham

Riley grew up in Wollongong in New South Wales, and began dance classes at the age of six. She trained at the Beverley Rowles School of Dance and The Australian Ballet School. She joined The Australian Ballet in 2019

Riley received the Friends of The Australian Ballet Australian Ballet School Scholarship in 2018.

Callum Linnane

Callum Linnane grew up in Ballarat, Victoria. At the age of seven he began training in all styles of dance at the Ballarat Centre of Music and the Arts; he started ballet classes with Lauren Young at the age of eleven. Callum was accepted into The Australian Ballet School in 2008 and graduated dux with honours. He joined The Australian Ballet in 2015 and won the Telstra Ballet Award in 2016.

During the recent Sydney season of Counterpointe, Callum danced the Tschaikovsky Pas de Deux.

Lucien Xu

Lucien (Yipeng) was born in the XuZhou, China. His father started him in dance lessons to build his strength. At age eleven Lucien was selected to study at the exclusive Beijing Dance Academy Secondary School. In 2014 and 2015 he received full scholarships to train at The Australian Ballet School, going on to tour with The Dancers Company several times. He joined The Australian Ballet in 2016. In 2019 he participated an exchange with The National Ballet of China.

Lucien was a Telstra Ballet Dancer Award nominee in 2018.

Yuumi Yamada

Originally born in Northern Japan, Yuumi moved to Australia when she was 16 to study at The Australian Ballet School. She toured with The Dancers Company in 2015. In 2016, she danced in The Australian Ballet’s production of Swan Lake and in its regional tour of Giselle, before joining The Company in 2017.

During the recent Sydney season of Counterpointe, Yuumi danced the Tschaikovsky Pas de Deux and the Second Pas de Deux in William Forsythe’s Artifact Suite.


Watch below to see David Hallberg announce the promotions

Vale Wilma Russell

Wilma with Lisa Pavane at a Chairman’s Dinner in 2018

Many of our members will be sad to learn of the passing of Wilma Russel, a long-standing Friends member, on 13 March 2021. Wilma was a fixture at many Friends events, from high teas to race day events and will be missed by many in our ballet family.

Life members Robert McCormack AM and Alan Jackson have both written tributes to Wilma, sharing some of their memories.

From Robert McCormack

Wilma was a one-off and an absolute devotee of all things Ballet. She had an encyclopaedic knowledge, not only of the history and times of The Australian Ballet Company, but also of the history of the growth of the art of ballet in Australia.

Wilma was one of the first members of the Friends I met when I joined the Council in 1990. We became fast friends from that moment on. She was a wonderful and loyal supporter of all of the many functions and activities of the Friends and was always an eager attendee at all of them, especially those that were held at my home in Potts Point.

To say that Wilma was a colourful personality would not do her justice – she was very sociable and stood out in a crowd. Above all, she loved being a Friend and being with her coterie of other like-minded Friends who loyally supported all our fund-raising efforts.

Although Wilma rarely spoke of her life beyond the Friends, I now know something of her background, in particular that she was a highly regarded, much valued expert needlewoman and had worked, for many years as a very valued member of the Wardrobe Department of The Australian Elizabethan Theatre Trust until she suffered an injury to one of her hands which prevented her from continuing in that vocation. This information accounts for the many, wonderfully stylish outfits in which she appeared on many occasions.

Wilma made no secret of her abiding love of her pet cats, upon which she lavished much love and caring attention.

Both Greg Khoury and I attended her quiet, but very moving, funeral on 24 March 2021, representing The Australian Ballet Company and the Friends. We were both delighted to meet many of the members of Wilma’s close and loving family along with several of her near neighbours, many of whom spoke in their eulogies, very movingly, of their love and respect and admiration of her.

Wilma’s love of all things to do with cats, moved her, with great delight, to attend so many performances of the 1984/85 Sydney Season of the production of the musical Cats that the Producer (Cameron Mackintosh – who was one of my clients at the time) invited Wilma to not only attend the final performance of the Season but also the Final Night Party afterwards, and also provided her with a limousine to pick her up and return her home, for the occasion. She was seated in the front row of the Theatre Royal and was presented, on stage with the cast, with a huge bouquet. I like to think that this would have been an unforgettable occasion for Wilma.

I, and the many others who knew her, will always remember Wilma as, not only a loyal and lovable eccentric, but, more importantly, as a deeply loyal Friend of the Australian Ballet who was loved by her family and many friends, of whom I respectfully, include myself.
– Robert McCormack AM.

From Alan Jackson

Wilma Russell was a long time member and supporter of  the Friends of The Australian Ballet and subscriber of The Australian Ballet.

Wilma would attend most of the Friends’ functions – the Friends’ talks, afternoon teas, lunches and dinners and the Race Days at Canterbury Park where one year she won most elegant lady award, wearing a bright red suit and matching red hat; she was so overcome to win the prize. Wilma also had another great love beside Ballet; it was her dear donkeys, which she sponsored to live out their old age with love and comfort.

Wilma will be missed.
– Alan Jackson Life Member of the Friends of The Australian Ballet